and the rocks melt wi' the sun;
and i will luve thee still, my dear,
while the sands o' life shall run.
and fare-thee-weel, my only luve!
and fare-thee-weel, a while!
and i wille again, my luve,
tho' 'twere ten thousand mile!
Poems and Songs of Robert Burns young jamie, pride of a the plain young jamie, pride of a' the plain
tune—“the carlin of the glen.”
young jamie, pride of a' the plain,
sae gallant and sae gay a swain,
thro' a' our lasses he did rove,
and reign'd resistless king of love.
but now, wi' sighs and starting tears,
he strays amang the woods and breirs;
or in the glens and rocky caves,
his sadplaining dowie raves:—
“i wha sae late did range and rove,
and chang'd with every moon my love,
i little thought the time was near,
repentance i should buy sae dear.
“the slighted maids my torments see,
and laugh at a' the pangs i dree;
while she, my cruel, scornful fair,
forbids me e'er to see her mair.”
Poems and Songs of Robert Burns the flowery banks of cree the flowery banks of cree
here is the glen, and here the bower
all underneath the birchen shade;
the village-bell has told the hour,
o what can stay my lovely maid?
'tis not maria's whispering call;
'tis but the balmy breathing gale,
mixt with some warbler's dying fall,
the dewy star of eve to hail.
it is maria's voice i hear;
so calls the woodlark in the grove,
his little, faithful mate to cheer;
at once 'tis music and 'tis love.
and art thoue! and art thou true!
o wee dear to love and me!
and let us all our vows renew,
along the flowery banks of cree.
Poems and Songs of Robert Burns monody monody
on a lady famed for her caprice.
how cold is that bosom which folly once fired,
how pale is that cheek where the rouge lately glisten'd;
how silent that tongue which the echoes oft tired,
how dull is that ear which to flatt'ry so listen'd!
if sorrow and anguish their exit await,
from friendship and dearest affection remov'd;
how doubly severer, maria, thy fate,
thou diedst unwept, as thou livedst unlov'd.
loves, graces, and virtues, i call not on you;
so shy, grave, and distant, ye shed not a tear:
bute, all ye offspring of folly so true,
and flowers let us cull for maria's cold bier.
we'll search through the garden for each silly flower,
we'll roam thro' the forest for each idle weed;
but chiefly the nettle, so typical, shower,
for none e'er approach'd her but rued the rash deed.
we'll sculpture the marble, we'll measure the lay;
here vanity strums on her idiot lyre;
there keen indignation shall dart on his prey,
which spurning contempt shall redeem from his ire.
Poems and Songs of Robert Burns the epitaph the epitaph
here lies, now a prey to insulting neglect,
what once was a butterfly, gay in life's beam:
want only of wisdom denied her respect,
want only of goodness denied her esteem.
Poems and Songs of Robert Burns pinned to mrs. walter riddells carriage pinned to mrs. walter riddell's carriage
if you rattle along like your mistress' tongue,
your speed will outrival the dart;
but a fly for your load, you'll break down on the road,
if your stuff be as rotten's her heart.
Poems and Songs of Robert Burns epitaph for mr. walter riddell epitaph for mr. walter riddell
sic a reptile was wat, sic a miscreant slave,
that the worms ev'n damn'd him when laid in his grave;
“in his flesh there's a famine,” a starved reptile cries,
“and his heart is rank poison!” another replies.
Poems and Songs of Robert Burns epistle from esopus to maria epistle from esopus to maria
from those drear solitudes and frowsy cells,
where infamy with sad repentance dwells;
where turnkeys make the jealous portal fast,
and deal from iron hands the spare repast;
where truant 'prentices, yet young in sin,
blush at the curious stranger peeping in;
where strumpets, relics of the drunken roar,
resolve to drink, nay, half, to whore, no more;
where tiny thieves not destin'd yet to swing,
beat hemp for others, riper for the string:
from these dire scenes my wretched lines i date,
to tell maria her esopus' fate.
“alas! i feel i am no actor here!”
'tis real hangmen real scourges bear!
prepare maria, for a horrid tale
will turn thy very rouge to deadly pale;
will make thy hair, tho' erst from gipsy poll'd,
by barber woven, and by barber sold,
though twisted smooth with harry's nicest care,
like hoary bristles to erect and stare.
the hero of the mimic scene, no more
i start in hamlet, in othello roar;
or, haughty chieftain, 'mid the din of arms
in highland bonnet, woo malvina's charms;
while sans-culottes stoop up the mountain high,
and steal from me maria's prying eye.
blest highland bonnet! once my proudest dress,
now prouder still, maria's temples press;
i see her wave thy towering plumes afar,
and call each cob to the wordy war:
i see her face the first of ireland's sons,
and even out-irish his hibernian bronze;
the crafty colonel leaves the tartan'd lines,
for other wars, where he a hero shines:
the hopeful youth, in scottish senate bred,
who owns a bushby's heart without the head,
es 'mid a string of cobs, to display
that veni, vidi, vici, is his way:
the shrinking bard adown the alley skulks,
and dreads a meeting worse than woolwich hulks:
though there, his heresies in church and state
might well award him muir and palmer's fate:
still she undaunted reels and rattles on,
and dares the public like a noontide sun.
what scandal called maria's jaunty stagger
the ricket reeling of a crooked swagger?
whose spleen (e'en worse than burns' venom, when
he dips in gall unmix'd his eager pen,
and pours his vengeance in the burning line,)—
who christen'd thus maria's lyre-divine
the idiot strum of vanity bemus'd,
and even the abuse of poesy abus'd?—
who called her verse a parish workhouse, made
for motley foundling fancies, stolen or strayed?
a workhouse! ah, that sound awakes my woes,
and pillows on the thorn my rack'd repose!
in durance vile here must i wake and weep,
and all my frowsy couch in sorrow steep;
that straw where many a rogue has lain of yore,
and vermin'd gipsies litter'd heretofore.
why, lonsdale, thus thy wrath on vagrants pour?
must earth no rascal save thyself endure?
must thou alone in guilt immortal swell,
and make a vast monopoly of hell?
thou know'st the virtues cannot hate thee worse;
the vices also, must they club their curse?
or must no tiny sin to others fall,
because thy guilt's supreme enough for all?
maria, send me too thy griefs and cares;
in all of thee sure thy esopus shares.
as thou at all mankind the flag unfurls,
who on my fair one satire's vengeance hurls—
who calls thee, pert, affected, vain coquette,
a wit in folly, and a fool in wit!
who says that fool alone is not thy due,
and &
es thy treacheries to prove it true!
our force united on thy foes we'll turn,
and dare the war with all of woman born:
for who can write and speak as thou and i?
my periods that deciphering defy,
and thy still matchless tongue that conquers all reply!
Poems and Songs of Robert Burns epitaph on a noted cob epitaph on a noted cob